Antique Jain Cosmology Manuscript from Scholarly Tradition

This antique Jain cosmology manuscript painting originates from the Western Indian Jain manuscript tradition and dates to the late 19th century. Created on handmade paper using natural mineral pigments, organic binders, and ink, the folio reflects the scholarly methods employed to visually communicate Jain cosmological philosophy.

Jain cosmology describes the universe as eternal and precisely structured, divided into interconnected realms—Urdhva Loka (Upper World), Madhya Loka (Middle World or Jambudvipa), and Adho Loka (Lower World). Manuscripts influenced by texts such as the Sangrahani Sutra and Brihat Sangrahani served as diagrammatic teaching tools, combining handwritten Sanskrit and Devanagari script with symbolic imagery to explain cosmic space, planetary relationships, and cycles of time (Aras).

The manuscript exhibits natural patina, pigment mellowing, light water staining, and paper wear consistent with its age, confirming authenticity. Preserved as a disbound folio, it carries lasting scholarly importance and collector value, suitable for museum collections and refined heritage interiors.

Key Highlights

• Late 19th-century Jain cosmology manuscript painting
• Handwritten Sanskrit and Devanagari script
• Natural mineral pigments on handmade paper
• Authentic patina and age-related wear
• Museum-grade scholarly artifact

Technical Specifications

USP

Extremely rare, original, museum-grade Jain cosmology manuscript.

Story & Symbolism

The manuscript visually represents Jain cosmological doctrine, presenting the universe as an ethical and spatial framework guiding the soul toward liberation at Siddhashila.